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Two red mushrooms as a symbol of a flourishing regional arts sector through the Mycelium project by the Creative Grid, coordinated by Southern Forest Arts, photo by Peter Hill

Mycelium – Stage 2: Connection

You are here: Home / Projects / Mycelium – Stage 2: Connection
A single red mushroom, photo by Peter Hill, a symbol of fruitful growth from underground mycelial network, perfect metaphor for the Mycelium project by Southern Forest Arts
Mushrooms are the fruitful outcome of a healthy mycelial network

Stage 2 - Overview

'Connection' activities occur over 22 weeks from 25th January to 30th June, 2021.

This stage focuses upon a series of conversation-based activities across multiple platforms to create an increased sense of community across the sector as it faces the ongoing challenges of the Covid-19 pandemic - and other (current and future) threats.

‘Connection’ nurtures trust, facilitates the exchange of ideas, expertise and support between members of the Mycelium network .

The activities are sequenced so that sector connectivity grows over time, layer by layer, each project element dovetailing into another, providing an ever deepening complexity of the network from an initial focus upon online connection (eg. Zoom meetings) to an increasing emphasis on inter-person collaboration (eg. Creative Co-Labs).

Several elements of the project will be developed and delivered directly by the Project Coordinator (eg podcasts, zoom meetings, online forums, email updates) while others are delivered by a host organisation based ‘on the ground' (eg. Creative Co-Labs, networking events).

For activities delivered ‘on the ground’, hosts will be paid from project funds to cover labour and expenses (unless contributions are offered In Kind).

‘Connection' activities complement existing services delivered by WA's peak organisations (such as Regional Arts WA’s hub network and regional roundtables) and regional organisations’ own annual programs.

‘Connection' will increase awareness about who is in the sector, what they are doing, what is working, what could be done better and how doing things collaboratively could make the sector stronger.

Some of the discussions during this stage will inform the nature of - and provide the conceptual focus for - activities in the following two project stages in relation to a large-scale collaboration on the development of a pilot model for an ongoing regional arts triennial (‘festival’) that stretches across the state, based upon a single provocation/curatorial theme.

Thanks to our funding partners (Lotterywest, The State Government of Western Australia and the Federal Government) Stage 2 has been fully funded.

Many details in this stage are still being finalised and will be published here ASAP.

Mycelium drawing

PROPOSED ACTIVITIES INCLUDE:

ZOOM FORUMS

12 x Zoom forums with discussions on a range of topics nominated through project scoping surveys and other inquiry processes. Each session will include a presentation by a guest facilitator followed by a generous Q & A session/general discussion. Some topics have already been finalised, with facilitators nominated. Dates and times will be determined in early 2021). The following topics are in the very early stage of development. Working titles are provided as a guidelines, but will likely change, including:

  • ‘Wellness champions’ - self care for artists and arts workers by Scotia Monkovitch (Creative Recovery Network) TBC

  • ‘Collaboration - the pitfalls and pleasures’ - by Annette Carmichael (freelance choreographer and CACD practitioner)

  • ‘Arts interacting with government’ - by Margaret Seares

  • ‘Exploring models for sustainable arts organisations’ - by Julian Canny (Business Development -Euphorium)

  • ‘Exchanging resources, skills and ideas’ - by David Bowman-Bright (North Midlands Project) TBC

  • ‘Exploring professional pathways for regional visual artists in the current gallery context’ - by Ted Snell (Honorary Professor, School of Arts & Humanities, Edith Cowan University) and Joanne Baitz (Director, Bunbury Regional Art Gallery)

  • ‘Art Improves Lives - Increasing community perception of the value of the arts’ - looking at social impact of the arts and advocacy - by Shelagh Magadza (Chamber of Arts and Culture) TBC and Jody Quadrio (Euphorium Creative)

  • ‘Skin in the Game - Indigenous and non-Indigenous creatives working together ‘ - by Chad Creighton (AACHWA) and Ron Bradfield.

Other suggestions include:

  • Sector innovation, developing new ways of working

  • How do regional artists gain exposure for their work outside of their region? (beyond social media)

  • How do regional artists gain access to professional development opportunities to grow and sustain their practice?

  • Educating the next generation - Connecting regional based arts teachers together when the education system doesn’t support an exchange or advocacy network

It is anticipated that sessions will be held fortnightly and for an hour in length. We will explore options for smaller breakout rooms to hold deeper conversations in a more intimate context.

mycellium_800-600x347

PODCAST SERIES

A six part podcast series - featuring 30+ contributors - will be developed, edited and uploaded by the Project Coordinator, with feature interviews from a wide range of regional artists, arts workers and arts org representatives exploring diverse topics. Topics have been nominated through the Scoping survey process and intersect with zoom conversations.

Details of topics and interviewees are yet to be finalised, suggestions include:

  • ‘Create your own paradigm’ - artists working in unique ways. Including observations from musicians, The Nomadics (Bec Schofield and Dave Mann).

  • ‘Your postcode doesn’t define you’ - a selection of regional artists share their experiences on developing state, national and international career trajectories including opera singer Matt Ward, musician Charlie McGee, author Dianne Wolfer.

  • ‘Wisdom Bank’ - a distillation of knowledge from some of the sector’s most experienced practitioners including Gwen Knox (Broome based puppeteer) and Annette Davis (Albany based visual artist and curator).

VISIBILITY & VOICE THROUGH SOCIAL MEDIA

Regular social media postings by the Project Coordinator will highlight activities across the regions, link in with promotion undertaken by other regional and metro orgs and provide a platform for the project’s video diary.

EMAIL UPDATES

12 x fortnightly email project updates including info on upcoming activity and a changing cast of featured artists and arts orgs will help connect the sector in a conversation thread across the duration of the project stage.

PROJECT VIDEO DIARY

30+ short videos will be created and shared by artists/organisations to showcase their work/organisation/venue. These will form a ‘video diary’ of the project and can be a useful archive of the project overall as a record of project evolution.

A photo of Turkey Tail fungus, taken by peter Hill. Mushrooms are an apt symbol for the Mycelium project by Southern Forest Arts

COMMISSIONED BLOG POSTS

To increase critical dialogue around the attributes, health and sustainability of the sector 10 Blog posts will be commissioned from diverse regional artists and artsworkers & posted online. These will present a range of viewpoints and allow more contemplative reflection of the current state of the sector. Topics for discussions are still to be finalised, as are the commissioned authors. Current proposal include:

  • ‘Why Can’t We Talk about Art?’ by Daniela Palitos and Jenny Barr (editors of a new online art journal, Local Art Paper https://localartpaper.com)

ONLINE FORUM

Online forum – for online discussion in response to blog posts, podcast and other project activity allowing for de-centralised project feedback/discussion

INTENSIVE LEARNING CONVERSATIONS

‘One on one’ intensive learning conversations conducted by the Project Coordinator with representatives from arts orgs & independent practitioners to gauge project progress and provide in depth insight for shared learning.

Delicate threads of a mycelium network under tree bark photo by Peter Hill - a perfect metaphor for the Mucelium project by Southern Forest Arts
Delicate threads of a mycelium network under tree bark

CONNECTION GATHERINGS

36 X networking events (4 per region) - delivered by a local host organisation facilitated by a range of independent facilitators. Where possible these sessions add value to an organisations existing programs and support current networking practices. Proposed payments of $750 per event to participating organisations will support them to undertake a connection gathering where they choose to focus upon either increasing connection with others arts organisations in their region (as it is common story that arts organisations often coexist but less frequently cooperate or collaborate) or to connect artists in their area together outside of art form specific mindsets.

Event facilitators are still in negotiation, in many cases they will be drawn from the local community or intersected with concurred projects. Confirmed facilitators include Ron Bradfield and Margaret Seares.

We would like to host a Mycelium gathering in Broome – to help connect individual arts practitioners to our organisation as well as an event to better connect the many arts organisations in our town that co-exist, yet rarely co-operate.

Naomie Hatherley - Kimberley Arts Network, Broome

[Extract from letter of Support 2020]

Little mushroom cluster - photo by Peter Hill - for the Mycelium project by The Creative Grid, coordinated by Southern Forest Arts, 2021

CREATIVE CO-LABS

18 Creative Co-Labs (approx 2 per region) delivered by a local host organisation. These two half-day or one full-day events will bring creative practitioners across art forms together in a safe space for the exploration of new connections and future collaborations. Each event will be facilitated by an experienced practitioners. In many cases the facilitator is a local professional with sufficient experience working across art form or CACD practice. In some instances, the host organisation has requested a facilitator from out of the region to bring a new perspective, new idea and insight into the region.

The facilitators will participate in an online forum prior to the Co-Labs allowing for sharing of ideas about how they each intend to approach the Co-Lab. A follow up Zoom discussion after the Co-Labs will once again allow for shared learning. Notes from these sessions will be shared more broadly with the sector.

There is no intended tangible ‘output’ from these Co-Labs, other than a focus upon the building of connections between individuals to encourage ongoing support and exchange leading to possible future collaborations. These intensive sessions will allow a deeper level of conversation and engagement than other elements of the Mycelium project.

Participants will determine the level of feedback available from the session that can be shared with the broader Mycelium network.

Participants will pay to attend the Co-Labs. Facilitators will be paid at industry rates for their time and travel. Host organisations will provide venue, accommodation and local transport as required.

Co Lab facilitators and host organisations include:

  • Kimberley #1 - Broome (TBC currently in discussion with Marrugeku)
  • Kimberley #1 - Kununurra (TBC currently in discussion with Waringarri)
  • Pilbara #1 - Karratha - Carrie McDowell (hosted by Red Earth Arts Precinct)
  • Pilbara #2 - Tom Price - Yola Bakker (hosted by Tom Price Art Hub)
  • Gascoyne #1 - Carnarvon - Janine Oxenham
  • Gascoyne #2 - Exmouth TBC
  • Midwest #1 - Geraldton - Julian Canny & Jody Quadrio (hosted by Euphorium Creative)
  • Midwest #2 - Carnamah - Rebecca Millar (hosted by North Midlands Project)
  • Wheatbelt #1 - Narrogin - Annette Carmichael (hosted by Arts Narrogin)
  • Wheatbelt #2 - (Other host organisation TBC)
  • Goldfields #1 - Kalgoorlie - Janine Oxenham & Deb Carmody (hosted by Tjuma Pulka)
  • Goldfields #2 - Esperance - Julian Canny (hosted by Cannery Arts Centre)
  • Great Southern #1 - Albany - Mark Ward (hosted by Vancouver Arts Centre)
  • Great Southern #2 - Denmark - Karen Hethey (Hosted by Denmark Arts)
  • South West #1 - Bunbury - Fiona DeGaris (hosted by Bunny Regional Entertainment Centre)
  • South West #2 - Margaret River - Adelina Larssen (hosted by Creative Corner)
  • Peel #1 - Mandurah - TBC (hosted by Contemporary Art Spaces Mandurah)
Two red mushrooms as a symbol of a flourishing regional arts sector through the Mycelium project by the Creative Grid, coordinated by Southern Forest Arts, photo by Peter Hill

For info about other project stages

Stage 1: Scoping

Stage 3: Collaboration & Creativity

Stage 4: Celebration & Community

 

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Testimonials

Alison KelsallNorthcliffe resident in response to our 2020 Annual Community Feedback Survey

“I feel very lucky to be able to participate in varied high quality events within our region.”

Jodie MillerNorthcliffe resident in response to ‘Wanjoo Boodjara’ exhibition by Maitland Hill, Painted Tree Gallery, 2019

“Stunning paintings that seem to convey a lot of feeling about the landscape.”

 

Understory Art & Nature entry boardwalk
Evans FamilyInternational visitors (Wales, UK) in response to Understory Art & Nature trail

“We loved it all. The combination of art & nature was inspiring – bought us to tears (gentle ones). Fantastic work. Thank you.”

 

From Print to Plate exhibition poster for the Painted Tree Gallery Northcliffe, hosted by Southern Forest Arts
Anna CzerkasowPemberton resident in response to ‘From Plate to Print’ exhibition, Painted Tree gallery, 2017

“A dynamic, sensitive body of work. Well done printmakers!”

 

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Southern Forest Arts  |  PO Box 395, Northcliffe, Western Australia, 6262, Australia  |  T: +61 (0) 418 754 704  |  E: info@southernforestarts.com.au.au

We acknowledge the Traditional Custodians of the lands upon which we live and work, in particular those from Pibbelmun country within the Noongar Nation, where we are based.

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